A brief consultation with kathryn baileys work suggests that this is the basic row for the piece. Professor bailey analyses all webern s twelvenote works from op. The music rises to a fortissimo climax at bar 22, before subsiding to pianissimo for the end. The ontology of the variations for piano, opus 27 begin in webern s sketchbook four pages 4356. He composed three important choral works the cantatas nos. Webern exemplified a very particular care for detail, even strictness, in his musical compositions in all compositional elements form, texture, dynamics, special effects, etc. I did all of the above and decided to base my thesis on his composition variations, op. It was written in 1938 and dedicated to the american elisabeth sprague coolidge, who commissioned the work.
The variations are divided into three separate movements. Webern was particularly fond of writing quiet music. Along with his mentor arnold schoenberg and his colleague alban berg, webern was in the core of those in the circle of the second viennese school, including ernst krenek and theodor w. Observations and thoughts on the opening phrase of webern s symphony op. Pitches are arranged so that a fifth relationship exists between the adjacent color as shown to the right. Renotation of weberns piano variations c 1998 by joe. The example piece is anton webern s variations for piano, opus 27. Rather, the increasing political tension german remilitarization of the rhineland, the italian invasion of abyssinia, and rising nazism in depressionscarred austria1.
Webern s death nearly a half year after the end of the war in europe occurred in a freak incident in mittersill near salzburg when an american soldier mistakenly shot him. Anton webern s symphony, op 21 for strings without doublebasses, harp, clarinet, bass clarinet, and two horns is a piece that takes the idea of symphonic selfreferentiality to an intensely. Variation, transformation, and saturation in the autumn of 1965, a musicologist named dr. The twelvenote music of anton webern by kathryn bailey. Following his first complete 12tone work, the string trio, op. Serial ism reconsidered 27, jmt, spting some obvious aspects. Variations for piano, op 27 hyperion records cds, mp3. An illustration of the twelvetone music composition technique utilised by the followers of the second viennese school. These analyses draw on sketch material recently made available at the paul sacher foundation in basel and include transcriptions of littleknown drafts and sketches. Cecilia, roma convegno astrazioneastrazioni scuola galileiana padova, 28 settembre 2015 2. Webern was scheduled to conduct the premiere of bergs final composition, the violin concerto. In this movement most of the music is quiet apart from forte markings for individual notes and accent markings. Webern s music as in beethovens music control of the interaction between characteristics of sound rather than pattern making within nonpitch characteristics is the principal consideration.
It was unusual in that it contained the annotations made by webern while he coached peter stadlen in preparation for the works. The following images use color to indicate pitchchord rootskeys. Temporal proportions as a unifying process in anton webern. He recommended that i look specifically at anton webern because he utilized it the most consistently in his works, which would probably be easiest to analyze. Based on the set 8 9 5 7 4 6 0 1 2 10 11 3 webern, variations for piano opus 27, ii. Anton webern the british library the british library. I do not make a profit on any contents in my channel. Even when, starting in 1924, webern followed his teacher into explorations of 12tone music using ordered series of pitches instead of free atonality, he maintained his hallmark purity of gesture and musical pointillism. The movement has a theme and seven variations followed by a coda. In previous analyses employing the argus algorithm, the computational results have been used to determine points of statistically significant change, which correspond to key or section changes. Variations for piano 1936 to people at the time, europe in 1936 was probably not so weighted with fear and foreboding as it might seem with hindsight.
Webern scholarship has not comprehensively examined op. How closely these aspects are interrelated can be seen from the example of the variations for piano, op. But webern s music still seems to stand outside the listeners embrace, due, perhaps, to its reputation for angularity and abstraction. Musical structure and the performance score by robert w. How informative it is to see the score of the variations for piano op 27 as published by universal.
It would not be until one full year later when the work was complete. On each leftfacing left page is the facsimile with pencil annotations made by webern while he instructed the pianist peter stadlen. Webern first presents his bass linemoving from d and back in eight notes and follows it with twentythree variations, grouped in three paragraphs. Webern s compositional approach to the second movement of symphony, op.
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